Naked kiss review-The Naked Kiss – Variety

Action starts fast with brawl between hardened prostie Kelly Towers and cheating pimp who shaved her head, after which she takes to sticks, where she promptly makes it with local cop Griff. Role is played routinely throughout by Anthony Eisley. Extract of a review from Running time: 90 MIN. Taking place at The Landmark, the all-day event will begin at a.

Naked kiss review

In the attention grabbing opening scene, a prostitute is seen viciously attacking her drink impaired pimp and during their confrontation her wig falls off to aNked that she's entirely bald. To Fuller, there is a perversity Watch celebrity clips the way men treat women in American society, and it is reflected in the title of the film itself. You Naked kiss review be redirected back to your article in seconds. Best of Netflix. The work helps her find her sensitive side in the caring and helping of her Naked kiss review patients.

Christian topics for teens. Movies in Theaters

If you aren't willing to delve deeper than the surface and find all the different motifs strewn about, hidden via the purposely-campy acting that stays consistent with the film's world, do not bother wasting your time. Audible Download Wife shoots husban Books. Candy Michael Dante The movie was actually shot in format, in so called "flat" 35mm shooting no anamorphic lens used. Namespaces Article Talk. American Horror Story. The handicapped children, for instance, are shown in close-up very often, dressed as pirates, singing, or just being made to stand on their crutches while the nurses move in and out between them. Y] February 28, SM Sign in to vote. I continue to enjoy the pleasure of Naked kiss review into exquisite little films from another time. But what about real drama, the infinite and often-lost battle that stems from the eternal, fundamental conflict Naked kiss review what we wish and what we are? Runtime: 90 min. Breena Howard as Redhead.

Somewhere along the way, legendary filmmaker Samuel Fuller lost his mind.

  • Robert Downey Jr.
  • Robert Downey Jr.
  • She engages in a quick tryst with local police captain Griff, who then tells her to stay out of his town and refers her to a cat-house just across the state line.
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Somewhere along the way, legendary filmmaker Samuel Fuller lost his mind. Whatever the cause, something led Sammy boy to believe he could, at the dawn of the s, direct a motion picture, The Naked Kiss , that not only centered on a prostitute, but one that plied her trade without an ounce of regret, adding a dash of cold-blooded murder as if mandated by the heavens. As if to challenge our expectations that yes, even this lady of the night would have a heart of gold, she first comes to us as a woman unhinged; a braying, spitting, two-fisted dynamo with only the body of her deranged pimp to stand in the way of reinvention.

She attacks the very camera itself, panting and heaving as if having just surrendered her soul to the wilds of damnation. Her victim now bloodied and broken, she retrieves the wig lost in the scuffle, adjusts it anew, and sets off to destinations unknown.

Wholly the creation of Mr. Send her to the sweet old seamstress, yes, but first, let a local lawman, Griff, engage her in the sort of small talk required by those for whom protocol demands a dance around the obvious. To make matters worse, he asks for some money back from the initial twenty he dropped on the dresser. But goddamn it all, not change. Never change. Needless to say, being asked to furnish a retroactive discount for ejaculatory ecstasy is just about the easiest way to get a whore to reconsider the life.

Sawbuck sluts and reference-free employment with children? Salad days, indeed, this A great-grandfather founded the town, and this Grant, rather than resting on his laurels, is all about giving back. Where this demented twist came from only Sammy knows, but I for one appreciated its left field qualities. At least not without a severe limp. Since Grant likes to have sex with children, not even Fuller is going to keep him around for the third act, as challenging to the Hollywood establishment as he proved to be.

Like a good cop, and all cops of the time, he believes that to be rich is to be above suspicion, when Fuller himself and the audience he so greedily coveted knew damn well that money often signified little else than an amoral sense of entitlement. There, with a smile somehow still intact, was the very girl Kelly saw that fateful day. But upon release, with the townspeople gathered round to thank her for saving the rest of the kiddies from buggery, she turns up her nose and exits.

And the very country Fuller finds so abhorrent, that land of buried secrets and punitive norms, is rapidly coming around to the Kelly side of things, even if the prices will never again be that low. Follow Matt: mattcale

Stanley Cortez Films Noir. While she falls for the small-town hero, Grant, his friend Griff has some other ideas about it. The Naked Kiss will, for some, be an hilarious caricature of 'girl-gone-wrong' films of the 40's and 50's, but for me personally, it is a film about redemption and human horror. A very risque subject for it's time, this pulp classic holds up very well today. It was then cropped along the top and bottom to create a wide screen format for theatrical release. Jackyl-8 5 October Cancel Resend Email.

Naked kiss review

Naked kiss review

Naked kiss review. Movies in Theaters

Rate This. She meets Griff, the Director: Samuel Fuller. Writer: Samuel Fuller. Added to Watchlist. Stanley Cortez Films Noir. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Shock Corridor Drama Mystery. Underworld U. Crime Drama Thriller. The Crimson Kimono Crime Drama Mystery. House of Bamboo Crime Drama Film-Noir.

Drama Thriller War. The Steel Helmet Action Drama War. I Shot Jesse James Certificate: 16 Drama History Romance.

White Dog Drama Horror. A trainer attempts to retrain a vicious dog that's been raised to attack black people. Pickup on South Street Forty Guns Romance Western. China Gate Park Row Drama Thriller. Edit Cast Cast overview, first billed only: Karen Conrad Dusty Marie Devereux Buff Betty Bronson Miss Josephine Patsy Kelly Mac Virginia Grey Candy Michael Dante Grant Anthony Eisley Griff Constance Towers Kelly Linda Francis Rembrandt Bill Sampson Jerry Sheila Mintz Receptionist Patricia Gayle Nurse Jean-Michel Michenaud Kip as Gerald Michenaud George Spell Tim Christopher Barrey Edit Storyline Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville.

Language: English. Runtime: 90 min. Color: Black and White. Edit Did You Know? Trivia Trademark: Charlie the mannequin has a pith helmet with a 1st Infantry Div.

Goofs When Kelly approaches the porch of the house with the room for rent, she picks up the newspaper and hands it to the landlady who has opened the door. The newspaper, as picked up by Kelly, is snugly rolled up and bound with a rubber band, but in the next frame, taken from inside as we see landlady and Kelly come through the door, the newspaper in the landlady's hand is not a rolled up paper, but one that is simply folded in half.

Quotes Buff : [ Referring to the offer to work at Candy's club as a prostitute, which Kelly seeks to talk her out of ] Friend said I could make dollars a week. Kelly : All right, go ahead. You know what's different about the first night? You'll be sleeping on the skin of a nightmare for the rest of your life.

Oh, you're a beautiful girl, Buff. Oh, they'll outbid each other for you. You'll get clothes, compliments, cash Add the first question. Was this review helpful to you? Yes No Report this. Edit page. The lighting on some of the scenes was absolutely erie and sometimes very emotional. I think in todays world of movie making the art of lighting has been lost or at least severely under developed. This movie is well worth seeing if you can find it.

This is a crazy movie to take seriously, yet there are so many serious parts to it, not the least of which is child molesting. For a movie that's daring stuff. Throw in a corrupt lovable cop, sweet children with physical disabilities, tinkly fairy tale music that comes out of nowhere when she is looking at a bedroom to stay in, and some good old female fist fights.

Out comes a Fuller masterwork, of sort. It's flawed enough to make some people run, but edgy enough to glue others to their seats. If the movie industry was looking for ways to break out of the doldrums of the late s and early s there are some terrible high budget films from these years , it overlooked the breakthroughs coming from the fringes. The directness and everyday nasty material here would be the bedrock of movies in just two or three years, as violence, frank sexual content, and flawed people became the norm.

You may as well admit, too, that the best parts of this movie are terrific, including some hard edged, sharp, black and white photography. The Criterion DVD is as close to great as you can get, even though there is some confusion about the way even this famed company handled the release. The movie was actually shot in format, in so called "flat" 35mm shooting no anamorphic lens used.

It was then cropped along the top and bottom to create a wide screen format for theatrical release. The "fullscreen" version is formatted full and I don't know if any of the fullscreen ones show the whole original "open matte" formatting, or are further cropped from the widescreen cropping. Either way, it was intended to be seen with wide screen composition, so get the Criterion. It's beautiful. Filmmaker Sam Fuller's creative writing, directing strength, and indie producing savvy continued to shine in "The Naked Kiss" It is the ultimate pulp fiction: high drama soap, touch of camp and tints of film noir.

Beautifully shot in Black and White. Terrific cast with Constance Towers as Kelly, the central power of energy and charm, and undeterred determination; Anthony Eisley as Griff, the gruff, tough cop with a tender heart underneath; and the townsfolk of varying characters, nice and not-so-nice to downright sleazy, crooked ones, male or female, and a number of child performances for that matter.

Yet with all this, there is a blossoming healthy, full of goodwill story about handicapped youngsters, being encouraged to stand up and be happy in spite of their weaknesses. Kelly truly wants to turn over a new leaf, and she readily shares and helps others without guile. She is no loser. She's our heroine of the story. Certainly can be. Thriller suspense, too? Will she be innocently proclaimed?

Will the witness precious be found? We would root for her, our Kelly. She is so 'gung ho' and downright nice to everyone but she can also stand up tough against the 'bad' ones. Fuller's script runs its own natural course with surprises and satisfying plot twists never lacking. This may not be for everyone NFE. But if you can take high drama with wide human emotional range, appreciate energetic 'filmic' storytelling with intrigue, you'll enjoy this movie immensely.

A Sam Fuller film doesn't disappoint but deserves applause practically guaranteed. His films are no fuss, straightforward and bold, frank and colorful in dialog, and there's the element of raw sophistication sounds oxymoron, but life is full of contradictions. B movies lack money so they have to compensate everywhere else; they take chances and risks and try to patch the holes with creativity.

This film is ostensibly about a hooker trying to go straight but it's really about the dark subcultures of our world which feed on the urges "normal" people must deny to maintain civilization. Mainstream Hollywood loves the shiny parts of those subcultures, the random encounters, sexy young things and "pimps up, hos down" trappings of that darkness. But when it comes to showing the whole of the poisonous ecosystem, the popreligion-fueled evangelistas and their sycophantic bean counters in the MPAA and studio system have no interest in acknowledging, much less depicting, its existence.

The mainstream producers prefer to focus on what they think you want in a drama: achingly beautiful people living in penthouse apartments on a plumber's salary acting out plots lifted from "Search for Tomorrow". But what about real drama, the infinite and often-lost battle that stems from the eternal, fundamental conflict between what we wish and what we are? Save it for Sundance. It tells a difficult story with a very offbeat lead a strong woman , a underused setting I was one of those kids in the orthopedic ward for about a year in the mids and when I saw them performing that odd yet haunting musical number I was really moved and slightly unusual viewpoint and style shoe-cam, the use of Beethoven, etc.

Constance Towers strikes the right note of bravery and inner strength without turning into a hard-hittin' miracle woman caricature and Grant strikes just the right note for playing a molester; despicable in action but also showing that basic human need to give and receive love, even in his twisted way.

Griff moves the plot along, not the greatest acting chops but he hits the marks and reads the lines. Definitely worth a rent. Check it out. If Sam Fuller is the father of Independent film then this is the point where the history of the Indie film begins.

In fact its best sequences are those which have no words. It tackled an issue that no film had before, and perhaps has not done so well since. A teriffic work. Weird and quite unique are the words that spring to mind after seeing "The Naked Kiss".

Samuel Fuller's melodrama about middle class hypocrisy features some characters and a small town which beneath their respectable exteriors are actually corrupt or perverted.

Prostitution, violence and sexual deviancy feature prominently and the action is delivered in a style which is predominantly forthright and candid. Some sequences, however, also have a surreal quality which effectively adds another level of strangeness to this already bizarre morality tale. Cult auteur Samuel Fuller who wrote, produced and directed this movie is renowned for his ability to make a powerful impact and this quality is strongly evident in "The Naked Kiss" right from the start.

In the attention grabbing opening scene, a prostitute is seen viciously attacking her drink impaired pimp and during their confrontation her wig falls off to reveal that she's entirely bald. Some time later, Kelly Constance Towers arrives at the small town of Grantsville where the first person and client that she meets is Police Captain Griff Anthony Eisley who, after their business is complete, advises her to leave his community because he runs a clean town!

He recommends that she should go to Candy's place "across the river". Kelly doesn't take his advice and instead stays in the town and decides that she wants to live the "straight life".

After getting a job as a nurse's aide in the local hospital for handicapped children, Kelly develops an extraordinary rapport with the patients, her ability is admired by everyone and she's soon fully accepted by the townspeople. When she meets Grant Michael Dante they're immediately attracted to each other and their relationship grows steadily from that point. Kelly deters one of her work colleagues from becoming a prostitute and in the process gets into a physical conflict with Candy Virginia Grey.

She also arranges help for another pregnant girl who, as a consequence, decides not to go ahead with the abortion she was planning to have. When Kelly tells Grant about her past, he's totally unconcerned. Griff who is Grant's best friend has some misgivings about their plans but is ultimately reassured when Kelly convinces him of her feelings for Grant and the fact that she's given up her old profession for good.

Kelly's fairy tale transformation into a respected member of the community and her seemingly wonderful romance both suffer spectacular reversals when she discovers that Grant is actually a child molester. Her shocked response is typically violent and what follows illustrates forcibly just how distorted the moral values of middle class society can become and how the citizens' inbuilt prejudices can prevent them from distinguishing clearly between what's right and wrong.

Sometimes it all feels like a peculiar dream or fantasy where odd things happen and where eccentric behaviour is the norm. The spectacle of a prostitute who has a propensity for sudden outbursts of violence magically transforming into a nurse who's a cross between Florence Nightingale and Julie Andrews really is quite breathtaking but it's also very entertaining.

Kelly's experiences ultimately make her much wiser but also very disillusioned by the values that she found within a so-called respectable middle class community. Scorsese also mentions Fuller in his "Personal Journey" film retrospective, in which he sites "The Naked Kiss" as a major influence. From what I've read, the studios found the material in "The Naked Kiss" to be a tad on the heinous side, and re-edited Fuller's film to the point where he didn't even want his name in the credits.

His name is very much in the credits however, for soon after the film opens with a prostitute beating a man unconscious with the heel of her shoe, Fuller is named writer, director, and producer. It is also difficult to discern just what sort of censorship the studios achieved, for whatever they did was austerely permeated by social taboos the likes of abortion, prostitution, child molestation, and murder. These issues are treated by Fuller in a way that is decisively an ideological digression from noir, despite the film's sporadic use of noir's aesthetic.

It appears to be precisely the opposite in "The Naked Kiss. The character of Griff, the cop, is the essence of this. To Fuller, there is a perversity in the way men treat women in American society, and it is reflected in the title of the film itself. Samuel fuller is everything but a conventional director. When he tries his hand at western ,his western does not look like a routine one "40 guns" and "run of the arrow".

Constance Towers' magnetism is spellbinding. So horrendous were the chances taken by Fuller's screenplay that with any lesser talent actress and director the result could have been disastrous. The script seems sometimes desultory but Fuller always lands on his feet. His film is some kind of tapestry of Bayeux which sometimes verges on bad taste but I guess it's part of the game.

Interesting, but I don't quite get it. Bobs-9 16 November This is the second Fuller film that I've seen the other one was "Shock Corridor". I can't say that I was bored, but I really don't see why these films are held in such high esteem by some people including famous film-makers like Scorsese. The black and white cinematography is excellent, as you would expect from those involved. But stylistically, the film is kind of a mess -- a weird mixture of soap opera, film noir, 's-style psychological drama, and kinky shocker.

As it seems to belong to no particular genre, perhaps Fuller's work could be considered a genre in itself. As has been pointed out elsewhere, if watched in the right company it can be a real camp hoot. But honestly, I think this film is far too flawed to be called a masterpiece, as some people have. The acting is fairly nasty, the script not much better.

And that horrendous scene where our heroine sings that sickeningly sweet, cloying, endless song with the kids at the hospital! It seemed to induce actual physical pain, I kid you not! The subject of child abuse, which occurs in the film, was fairly progressive for its time, I'll grant, but hardly unique. I guess I'd have to consider Fuller one of those "cult film" figures. Either you get it, or you don't. This noir film dealt openly with topics that generally weren't dealt with at all e.

It is the only film noir I know of in which a woman is the lead. Rather than being an adjunct or adversary to the hero, Kelly carries the film from beginning to end, and the twists and turns of the plot will surprise throughout. What mars it somewhat is some bad acting in the smaller roles. JRamos3 11 November WOW, I don't even know where to begin with this film. UMM, I guess it makes sense to start with the basic elements that comprise every film.

The acting was good, even if at times seeming a bit stiff and "forced. Once I noticed that so early on in the film, it was impossible not to notice other similar instances. However, that may have just been my own prejudices coming to light.

The lighting was well done, with a good mix of natural and artificial lighting used to convey emotion to the audience at key times.

Additonally, the editing of the film overall was quite well done; this is especially so during the scene in the hospital during which the children are rehearsing their song. There is an eerie feeling in that scene, as the camera does a close-up on each child's face.

All of these aspects combined made for a technically sound film. That withstanding, what clearly must be discussed as the central focus of this comment is plot in this film.

As I stated at the outset, WOW. Literally in the span of a few seconds, Kelly goes from being a prostitute trying to grease the wheels in her new town, to a intricate part of the hospitals staff. Follow that with the revelation about Grant towards the end of the film and it easy to see why this film is discussed as much as it is. The one part of the film I can honestly say I didn't like was the end. Granted, I pretty much accepted the fact that Kelly would somehow clear hear name and that justice would be served, but the end was still a bit cheesy for me.

In closing, this film is an extremely mind bending piece of cinema that I do plan on watching again. He shunned big-budget studio pictures to allow himself greater creative freedom, and the themes he tackled were often untouched, or at least poorly-explored, territory. For its first few minutes, 'The Naked Kiss ' skirts delicately around its heroine's profession, implying enough without explicitly spelling out the word "prostitute" everyone else seems to have got it, but, stupid me, I actually did think she was a champagne saleswoman — perhaps I wasn't expecting such progressiveness.

This reasonably subtle approach by Fuller standards suggests the sort of evasive techniques that 40s and 50s writers used to bamboozle the censors on matters of sex — take the horse-racing exchange in 'The Big Sleep ,' or the curious relationship of the two murderers in 'Rope I don't want to describe this film as exploitation.

It certainly is exploitative to a huge degree — Fuller, for example, wrings every ounce of empathy from the poor crippled kids — but somehow there's a sense of sincerity in how he tells the story, as though he really does believe in the possibility of redemption. Tough, independent-minded prostitute Kelly Constance Towers arrives in a new town, sleeps with the police captain Anthony Eisley , and then decides to leave her shameful past behind forever, somehow securing a job at the local children's hospital.

Captain Griff is immediately suspicious of Kelly's motivations, hypocritically believing that she'll only pollute his home town, but wealthy local benefactor J. Grant Michael Dante falls in love with her. When it came to women, Fuller appears to have admired the lowly kind: Constance Towers in 'Shock Corridor ' was a stripper, and in 'The Naked Kiss' she was a prostitute; Jean Peters in 'Pickup on South Street' might as well have been one, too. However, there's also high degrees of melodrama, exploitation, and pulpy, B-movie schlock, and Fuller's ultimate message appears to be double- edged.

A prominent noir motif concerns the sheer hopelessness of redemption: however hard one tries to evade their past, a man's former misdeeds will always return to haunt them. This fate does, indeed, confront Fuller's heroine, but he leaves a light at the end of the tunnel, arguably dampening the full brunt of the film's ending. Towers' prostitute crosses to the "respectable" side of society's fence, but finds that corruption has already pervaded to its highest levels.

A hooker moves to a small town hoping to go straight but is dogged by a cop. Towers, looking like Sharon Stone, is an intriguing presence as the bad girl who's into Goethe, Byron, and Beethoven! Eisley is also good as the suspicious cop. The plot seems to wander a bit, including a long musical interlude with handicapped children, although the song is rather tuneful.

It definitely looks like a low-budget movie, particularly because of poor editing. Despite its shortcomings, Fuller infuses it with raw energy and the film brazenly tackles subjects that were mainly taboo in films of that time. And it's kind of a mess. Starting out as a prostitution parable, the film wanders in every direction imaginable, from "Miracle Worker" style humanitarian melodrama to sensationalized ham, and the tone of the film suffers because of it.

Aesthetically, the film is flawed. While "Kiss" never strives to look like an "A" film, it doesn't do itself any favors with its shoddy editing and lighting. Both thematically and technically, this movie is totally cut-and-paste.

Not that it isn't entertaining. Scenes like the one in which disabled children recite a song in a hospital are unintentionally funny and totally out of place, and it's constantly a guessing game as to where Fuller will go next.

Did anyone see the child molestation thing coming? I guess you could call this movie ahead of its time, but with better movies cropping up around the same time exploring similar ideas, "The Naked Kiss" seems a desperate attempt to make a quick buck on shock value alone.

Quinoa 27 January Constance Towers has a certain class in her acting, her appearance, just in the way she can give you a look that'll tell you a whole story, or maybe hide away something entirely by her smile.

The Naked Kiss () - Rotten Tomatoes

Action starts fast with brawl between hardened prostie Kelly Towers and cheating pimp who shaved her head, after which she takes to sticks, where she promptly makes it with local cop Griff. Role is played routinely throughout by Anthony Eisley. Extract of a review from Running time: 90 MIN.

Taking place at The Landmark, the all-day event will begin at a. While Tarantino does get around to what happened on Cielo Drive on the fateful [ Reps for Kirby could not be reached for comment. Specific plot details are being kept under wraps, but it is known that [ You will be redirected back to your article in seconds.

Hooker angles and sex perversion plot windup are handled with care, alternating with handicapped children 'good works' theme. By Variety Staff. Popular on Variety. Close Menu. Variety Intelligence Platform. Variety Mobile Logo. Premier Logo Created with Sketch. Login Follow Us. Please fill out this field with valid email address.

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Naked kiss review

Naked kiss review

Naked kiss review